Vietnam’s Killer Elephants

It’s not often that they conspire to strike

by Jim Christy

From the April/May 2004 issue of The Walrus


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That night, I lay on the floor of a wooden shack on stilts over the backwash of the river, mulling over the ranger’s dig and trying to console myself with the thought that “old” in this country comes around sooner than back home.

Next day the ranger begged off, claiming he had to stay in bed to nurse a cold, so I set out for the jungle alone. Two fishermen took me across the Ea Krong river in a dugout canoe, and then I started walking. My directions were cursory: follow the trail until it narrows and branches off, then keep to the one on the right.

The farther I walked, the denser the jungle became, but despite the presence of wildlife, there was not the humid, insect-laden oppressiveness of the Amazon. The trees were not as tall, the understory not as dense. I could see the sky at all times, blue as a baby’s blanket.

About eight kilometres in I came across a clearing where the ranger had set up a tent and stored his gear. He’d fashioned an enclosure of bamboo stakes plaited with hardwood saplings. Beyond the enclosure, several metres away, stood a young elephant, a male about two-and-a-half metres tall at the head.

A thick iron cuff encompassed one ankle, and a chain linked the cuff to an auger in the ground. Its eyes were slivers of orbs. When I moved to my right, the animal’s left eye moved to follow me. Otherwise, it was motionless, taking me in. I thought of the eyes of the tamed animals back in the village – eyes that were unclear, as if covered by some veil of defeat. I thought of the beasts at the Saigon zoo, swaying their trunks back and forth in despair, back and forth. I stepped back from the enclosure and was turning away when the animal let out a bellow that shook the trees.

After walking another four kilometres, I came to a second clearing and was about to start back when I saw a full-grown elephant about a quarter of a mile away in a patch of second-growth forest that had probably been defoliated by the Americans during the war. I knew this had to be one of the killers, otherwise it wouldn’t be here. I stood still, watching him, remembering what a mahout in the village had told me: We don’t want to share our terrain with that which we fear, with something other than ourselves that can “think” and is dangerous.

I watched the elephant until the picture of him in his wild state, the picture of him the way he is supposed to be, was burned into my brain to stay. Then I went back.
 

Christy is a writer-artist who lives in Gibsons, B.C. when not travelling. A CD of his poems, songs, and music is due out in the fall. 

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