The devil wears vibrant shades of red and yellow, as well as papier-mâché masks, in towns in Venezuela during the Catholic feast of Corpus Christi. As churchgoers leave mass, they are surrounded by hundreds of devils dancing to deafening drumbeats and the rattle of maracas. In a tradition that dates back to 1742, the costumed dancers “purify” the town of evil with a stomping, whirling ritual that mixes indigenous, African, and Spanish movements. The dance symbolizes the eternal struggle between good and evil, though good wins out in the end. After winding their way through the streets and into stores and houses, the devils receive presents from the people inside.
For Vancouver pioneer Jeff Wall, politics and beauty do mix
Upcoming Articles in The Walrus
December 2008
The Architecture of Fear by Charles Montgomery The Lynching of Louie Sam by John Vaillant A new Kenyan tongue by Arno Kopecky
David Lees on American eels
Alexandra Redgrave on Montreal dance and
New fiction by Peter Behrens
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