Articles by Daniel Baird


Visual Art

Man with a Movie Camera

Canada’s Mark Lewis launches an ambitious (and expensive) project for the Venice Biennale

Walrus Reads

Book Review: Who We Are

A review of Rudyard Griffith’s Who We Are: A Citizens Manifesto

Book Review

Review: Once

Rebecca Rosenblum’s debut collection of stories in a Toronto setting

Book Review

Review: What Is America?

America’s genocidal history, as discussed in Ronald Wright’s new book

Book Review

Sahara Overland

Chris Scott tackles the trackless wilderness

Photography

Eye of the Storm

The quiet force of photographer Larry

Book Review

Review: An Imperfect Offering

James Orbinski’s life as a humanitarian doctor

Books

Spiritual Exercises

Religion remains a powerful force, according to Charles Taylor

National Magazine Award Gold Medal

God’s Slow Death

Three atheists argue for reason in the face of faith. NMA Gold Medal: Illustration

Books

A Society of Seers

Can Thomas Homer-Dixon’s “prospective mind” help us thrive after global crises?

Art

A Storm Blowing from Paradise

Anselm Kiefer’s Heaven and Earth

Art

Air Jungen

How one Vancouver artist is breaking down cultural and consumer stereotypes

Visual Art

Between the Cross and the Jewish Graveyard

After decades in a fiery cultural forge, Polish art emerged sharp and beautiful. But have the country’s ghosts returned to dull the edge?

Visual Art

Trauma Mama

Angry, eloquent, fragile, native artist Rebecca Belmore takes her new work to the Venice Biennale

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The Archetypal Walrus

The Archetypal Walrus

Reflections on robbing the dead. NMA nominee: Best Short Feature

A Very Dark Place

A Very Dark Place

In the panic after 9/11, Canada enacted anti-terrorism legislation that curtailed civil liberties in favour of national security. Faced with American pressure, is the Harper government poised to go even further?