P.K. Page, an extraordinary poet, prose writer, and painter, one of our most individual talents, died yesterday at home in Victoria, B.C. It is a loss not only for the world of Canadian poetry, over which she loomed large in her unusual way, but for Canada itself.
While I had read poems of hers before, I first encountered the enormity of her contribution in Ottawa in 2003, when Prof. Zailig Pollock, now named Page’s literary executor, spoke to a conference I attended. Pollock’s presentation was about the possibilities of hypertext poetry, and he used his ongoing work on Page as an example. After that day, I began to seek her poems out, and my reading of her has been a universally satisfying experience. (For an artist with such a wide range, she was unbelievably consistent.) The Walrus was fortunate to publish her work a few times over the years, most recently in June 2008, when we featured her poem “Each Mortal Thing,” illustrated by a pair of P.K.’s wonderful drawings.
While her passing is a considerable loss, especially given how productive she was in old age, there is some good news. As Quill & Quire reported yesterday, Pollock will be working with Tim Inkster and his excellent Porcupine’s Quill Press to publish a ten-volume edition of Page’s complete works. Additionally, Pollock and Dalhousie professor Dean Irvine will be preparing a hypermedia archive of her work. Thanks to these efforts, she will live on.
Last June, P.K. published a poem called “Cullen in the Afterlife” in Poetry. On this day after her passing, quoting its closing lines seems to me a very good way of saying goodbye:
So he must start once more. He had begun
how many times? Faint glimmerings and dim
memories of pasts behind the past
recently lived — the animal pasts and vague
vegetable pasts — those climbing vines and fruits;
and mineral pasts (a slower pulse) the shine
of gold and silver and the gray of iron.
The “upward anguish.”
What a rush of wings
above him as he thought the phrase and knew
angels were overhead, and over them
a million suns and moons.
(Drawing by P.K. Page. Click here to read more of her poetry in The Walrus.)
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