To celebrate its twenty-fifth anniversary, Winnipeg’s Video Pool media art centre made a poster detailing its history. But the twenty-five year history of an artist-run centre is as harried as they come. Rather than a straight timeline, Video Pool’s history looks more like a brainstorming session gone wrong. In the aptly titled The Incomplete, Contested, Anecdotal, Unedited, Messy, Nostalgic, Faulty, Controversial History of Video Pool So Far…,bubbles of people, places, moments in time, and minor scandals are connected with AV cables. (more…)
When I get a hold of Toronto artist Mitch Robertson at Saint Mary’s University Art Gallery in Halifax, he’s just returned from dropping off his son. The father and son team had been getting the gallery ready for Robertson’s show 5,6,7: Economies of Good & Evil. But being three years old, Robertson’s son was having more fun dirtying the Plexiglas containers than cleaning them.
Robertson’s son was a big influence on 5,6,7, which was exhibited in Oakville and Winnipeg last year. Most of the work in the show was made at a time when Robertson was struggling with how to raise a family. In Winners and Losers (2005-07) and From Good to Bad (2006) Robertson plays with our concepts of good and evil. By colouring one cowboy’s hat black and another’s white he exposes how subjective our morals can be. The concept is explored further in photos of groups of men, where their shirts are coloured in grey scale from black and white. (more…)
TORONTO—As I write this, Prince Edward Island’s Cyclone roller coaster is deep into winter hibernation, and the hordes of Japanese tourists that flood the island in summer to see the birthplace of Anne have just finished lunch back on their own island. Cows Ice Cream in Charlottetown is one of the few summer-time hot spots to stay open in defiance of winter. The Confederation Centre for the Arts is another bastion of island culture open year-round. Lucky for Atlantic Canadian hipsters.
Tomorrow (February 29) the centre is hosting Cute As A…, a button exhibity and trading event featuring unique designs by fifty Canadian artists—all on one-inch pins. The show is curated by Siobhan Wiggins, the Centre’s education and outreach officer. (more…)
TORONTO—Trudging through the snow as wind whipped my face during last Tuesday’s snowstorm, I had to ask whether any gallery opening was worth the trouble. But I’m going to assume that anyone reading this wasn’t as hearty as me, and missed the opening reception of Art Metropole’s current show ABC…With Love (Too Cool For School).
The show’s focus is the twenty-six paperback novel-sized gorgeous letterpress prints (in orange-yellow, steely-blue, and warm grey) pinned on the wall as you enter. Thirteen artists from around the world contributed to the prints, each drawing two letters of the alphabet. The works have a kindergarten-esque feel. Jill Henderson, who curated the exhibition and drew two of the letters, calls the show “curating-by-numbers.” (more…)
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