Douglas & McIntyreJoshua Knelman’s Hot Art: Chasing Thieves and Detectives through the Secret World of Stolen Art explores the evolution of the international black market in stolen canvases, sculptures, and antiquities through alternating stories of crooks and coppers from two continents. Hot Art, published earlier this month, is being widely described as non-fiction that reads like a novel; it’s been favourably tweeted by Margaret Atwood, among others, and Knelman has embarked on a promotional tour of morning television and talk radio shows across Canada. All of which makes everyone at The Walrus rather proud, because the story that inspired the book happened right here at this magazine. The author explains.
MATTHEW MCKINNON: You worked as head of research at The Walrus when you began investigating international art theft. Where does the Hot Art really start?
JOSHUA KNELMAN: Before the magazine launched, way back in 2003, I was sent to write a short piece about two burglaries at an art gallery in Toronto. The first of those burglaries, by the way, was discovered on the morning of September 11, 2001. When I showed up at the gallery, the owner was apprehensive about moving his story into the public arena. “I don’t know much about this world of art theft,” he told me. He did, though, give me the phone number of a cultural property lawyer based in Toronto — Bonnie Czegledi. “Apparently she knows something,” he said.
Czegledi agreed to meet. It was a lucky break. She turned out to be one of only a handful of lawyers in Canada, and one of only a few in the world, who was focused on understanding how the international black market in stolen art operates. (more…)
Mathieu LavoieIn April of 2010, Walrus editor John Macfarlane and I received an email from Ken Klonsky, a BC playwright and author who works with wrongfully convicted prisoners. Klonsky wrote:
“I have a remarkable piece of writing from Atif Rafay, a man who is serving life without parole in Washington State for a crime of which he is unquestionably innocent. I advocate for Mr. Rafay on behalf of Rubin Carter at Innocence International. The piece in question is, on the one hand, an academic essay, but it is also a penetrating analysis of the American prison system by a Canadian whose story is the most tragic imaginable.”
This wasn’t the first time Klonsky and I had corresponded. Two years earlier, he’d emailed me to pitch a story on Rafay’s case. It was a non-starter — the proposed piece was too closely linked with advocacy efforts to free Rafay, and no new evidence had come up to exonerate him since his conviction in 2004. This second email, though, promised something else entirely. We were intrigued.
The details of Rafay’s case, briefly, were this: Police arrived at the Rafay family home in Bellevue, just outside Seattle, the night of July 13, 1994. Outside, they found Rafay and his friend Sebastian Burns, who had called 911; inside were the dead bodies of Rafay’s mother, Sultana; his father, Tariq; and his autistic older sister, Basma. All three had been bludgeoned to death. Rafay, eighteen, and Burns, nineteen, told police they had been out that night for dinner and a movie. Rafay had just completed his freshman year at Cornell in upstate New York, Burns his first year at Capilano College in North Vancouver. (more…)

Picture this: it’s a cold, snowy November evening; you arrive home after a long day at work to find a snowman on your front lawn. After greeting your husband and son, you compliment them on their charming, Frosty-like creation in the yard. They are confused — they didn’t build a snowman at all. But if they didn’t, who did? And why is it facing the house?
So begins The Snowman by Norwegian crime novelist Jo Nesbø (pronounced Yo Nezbah), the seventh novel in his Inspector Harry Hole (pronounced Huarry Hooola) series. Harry is a character who lives in the tradition of the hard-boiled detective. A recovering alcoholic who keeps a bottle of Jim Beam under the sink in case of emergency, he is, in Nesbø’s words, “morally dubious.” You’re never quite sure whether he will make the right choices. But you know you want him to.
The Snowman, originally published in 2007 under the title Snømannen, is the fifth of Nesbø’s novels to be translated into English. The book follows Harry as he tracks a serial killer through the streets of Oslo, Bergen (Norway’s second-largest city), and the Norwegian countryside. At the scene of each murder, the killer leaves a snowman as a calling card, beckoning Harry to track him — or her — down. The technical construction of The Snowman is an impressive achievement in itself; Nesbø keeps his reader guessing until the very end by avoiding gender pronouns for the killer until the big reveal.
Nesbø is one of his country’s most popular authors, having sold over 3.5 million books worldwide. Born in Oslo, his family moved to the small town of Molde when he was eight years old. Returning to Oslo after university, Nesbø rekindled his love affair with the city. His “romantic” feelings for the city are evident in The Snowman, where it becomes a second main character. In addition to the Harry Hole series, Nesbø has written two stand-alone novels, a collection of short stories, and a series of children’s books. A man of many talents, he also fronts the popular, but mostly defunct, Norwegian band Di Derre and has worked as an economist. I recently interviewed him on a park bench in Toronto. (more…)
Crime is a big problem in the developing world. Take it from me: just last week I got mugged at gunpoint in Mexico City’s almost comically crime-ridden district of Tepito, infamous for its huge flea market full of incredibly cheap goods of incredibly dubious provenance. (I was there to research a novel. Honest.) According to Tepito’s Wikipedia entry, “popular stories tell of people buying these products and being robbed some streets later by the sellers themselves.” Now that’s a business model!
I’d like to show you some pictures of the market, but the muggers stole my camera, so here’s a Mexican security vehicle instead:
Why did Igor Kenk keep more than 2,800 bikes in storage?
That was the question posed by last Saturday’s front-page National Post article. Buried within the article was a possible answer: preparation for the apocalypse. “Det.-Const. Dennis says ‘Mr. Kenk told him ‘the apocalypse is coming.’ In the future when we have run out of oil, we will all need bikes to get around, the logic goes, and Mr. Kenk will have a few in storage to offer us.” (more…)
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Seenloitering: The “gender analysis” in this article is upside down. Marie Calloway is a threat to the status quo because she threatens the myth that women are morally superior, above...
Jefry: I do not really like to read a story like a novel or a real story but I think this is very interesting and need to be read
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Legong: I know I am replying to this pathetic, racist statement a little late and the whole ignorant rant probably doesn’t even deserve a reply. Wanhenglo, if we were all to generalise about...
Sky Goodden: This is startling, refreshing, overdue, and damn good. Thank you, Shary.
Mark: It’s not just in Canada, it seems all over artists don’t get the local recogtnition they should. I was in Malaga where Picasso was born and it is much different, but then he is...
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